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religionMar 7, 202616:38

Come Sit with Me

About this episode

Today we are talking about the power of simple presence -- What it means to sit near another person without needing to do anything for them. Or to share space while each of us is engaged in our own quiet work. These moments can feel ordinary, even insignificant, yet they often carry a subtle shift. A softening. A change in atmosphere.

This conversation is an invitation to notice how closeness and attention, offered without agenda, can quietly shape how we show up.

Article:

https://everytimelessmoment.substack.com/p/come-sit-with-me?r=46wcig

Practice:

https://everytimelessmoment.substack.com/p/come-sit-with-me-the-practice?r=46wcig

Song:

https://everytimelessmoment.substack.com/p/come-sit-with-me-the-song?r=46wcig

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Come Sit with Me

Every Timeless Moment — from the writings of Barbara Haynes

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Every Timeless Moment — from the writings of Barbara HaynesCome Sit with Me. Machine-transcribed; use the interactive transcript above to jump the player to any line.

0:00Welcome back to The Deep Dive. It's, uh, it's great to have you with us. Good to be here. You know, usually when we crack open a new topic on this show, we are looking at something massive. Right. We're tracking global supply chains waiting through these, you know, 30 page academic studies. We do. We love a good systemic analysis, seeing how all the complex gears, uh, fit together. Exactly. We tend to go wide. But today, um, today, we are doing something completely different. We're zooming in. Way in microscopic, really. We're looking at a source that is incredibly short. It's a reflective piece by Barbara Haynes called come sit with me and it isn't a data set or a policy paper. No, not at all. It's just a story about one specific quiet interaction that probably lasted, what, maybe 20 minutes. I guess even less than that. But it's the perfect example of how the micro can, um, explain the macro. How so? You can understand the dynamics in just this one short story, the friction, the release, the realization. You actually understand a lot

1:03about modern stress and that burden of responsibility. We all feel exactly and how we connect or, you know, failed to connect with the people right in front of us. It's surprisingly dense for being so short and our mission today is really to slow this moment down to perform like an anatomy of an interruption. I like that. We want to look at what happens in your brain and your body when the demands of your to-do lists collide with a very simple, very human request. And honestly, this text offers a pretty profound antidote to that feeling of being totally overwhelmed by the world's problems. So let's dive in. I think we have to start with the feeling Haynes describes right at the top because if you're listening, you know this feeling. Oh, yeah. She calls it the spell. Deep in the spell. That's the phrase she uses. Yeah. Haynes describes being at her desk. She's working and she's deep in the spell of getting just one more thing done. And that word choice spell. It really stuck with me. Not just busy, is it? No, it's only she's been captured. It creates a very specific image, doesn't it? We

2:07we talk about flow spates as this purely positive thing, productivity, Nirvana. But Haynes is hinting at the shadow side of that. When you are so locked in, so tunnel-visioned that the rest of the world just ceases to exist. You're not a person anymore. You're an output machine. It's that feeling where your peripheral vision actually goes dark, you're typing or cleaning, and your brain is just looping on one thought. If I just finish this, then I can stop. Right. And the use of spell implies it's kind of involuntary. You've lost your agency to the task itself. You're a hundred people in. And the dangerous part, which she captures perfectly, is that when you're in that spell, you're brittle. Oh, that's a good word for it, brittle. You're efficient, maybe, but you're emotionally brittle. So any interruption doesn't just feel like a noise. It feels like an aggression. No, totally. It feels like someone popping a balloon right next to your ear. It's a physical jolt. It's an intrusion. And that is exactly where our scene starts. Haynes is in the spell, locked in, and then a friend walks into the room. And this

3:10is important. The friend isn't asking for a huge favor. They don't need help moving a fridge. No, it's the most gentle request possible. They just say, come sit with me. I could use the company. Come sit with me. But because of the state she's in that spell, it triggers this immediate internal conflict. And this is where it gets so relatable. Painfully relatable. She says her reaction was silent and immediate. So inside, she's basically screaming, I don't have time. I need to finish this just a few more minutes. It's the script we all have running in our heads. It's the knee jerk defense of the modern achiever. I don't have time. It's funny. The friend isn't asking for hours. But when you're in that spell, even five minutes feels like a theft. It feels like you're being robbed of your momentum. That's the friction. It's the physics of productivity. A body in motion wants to stay in motion. A body answering emails wants to keep answering emails until it dies. Right. And to stop to actually turn your chair and look at another human that feels like lifting a thousand pounds. And there's a fear there too. A fear that

4:12if you break the spell, you won't be able to get it back. That if you stop doing the whole house of cards just collapses. So it's this battle between the project and the person. And usually for most of us, the project wins. We say, give me 10 minutes or I'm just really swamped right now. Which is often just code for my task is more real to me right now than you are. Oh, that hurts, but it's true. But that's what makes the next moment in the text so pivotal because she doesn't do that. No. She writes and then something shifted and she just says, sure, just that one word. But in the context of the story, it feels like this monumental surrender. It is a surrender. It's surrendering the illusion that the work is the most important thing in the universe. It's choosing presence over productivity. And she doesn't finish the email first. That's crucial, isn't it? She doesn't say, okay, let me just hit send. She breaks the spell mid-sentence. She leaves the loop open. That's agonizing, leaving a task unfinished to go sit on a couch. My skin is itching just thinking about it. Exactly. It goes against all our conditioning. Yeah.

5:16But she does it. So she says, sure, she gets up and she goes to sit with her friend. Now, if this were a movie, right, the breakthrough moment. Yeah, this is where they'd have a deep tearful conversation. Someone would reveal a dark secret. And they'd solve all of life's problems in a montage. But Haynes is very clear. That is not what happened. And this is where the real inside the piece begins. She writes, we sat together. Each of us absorbed in our own quiet work. This detail is so critical. The friend asked for company, not entertainment. They just needed to share the space. Exactly. Yeah. We miss this distinction all the time. We think helping means doing. We think if we sit down, we have to fix something. Right. There's this pressure to be an active listener or offer solutions or be witty. But they're just sitting there. Haynes says, nothing dramatic happened. I love that line. Our brains are wired for the drama. We're looking for the payoff. But she says nothing dramatic happened. And yet the atmosphere changed. Let's dig into

6:18that change because this is where the text gets really sensory. She says, attention I hadn't noticed began to lose him. Attention, I hadn't noticed. That's the kicker. Exactly. While she was in the spell, she thought she was fine. Just working. But the body keeps the score. She was tight holding her breath. She was in a low level fighter flight mode. Yeah. And it was only when she stopped and sat next to another calm mammal that her nervous system realized, oh, we can't stand down. It's co-regulation. It is 100% co-regulation. We're social creatures. We regulate each other's nervous systems just by being near each other. Yeah. You can't get that from a laptop. No. You can't get that from an email thread. It reminds me of how sometimes you can be just spiraling in your own head and then a dog walks in and just puts its head on your knee. Yeah. And suddenly the spiral stops. The dog didn't give you career advice. It just sat there. But the biology of the room changed. And the source text specifically mentions a sense of vastness in the room.

7:20That's an interesting contrast to the tunnel vision she had earlier. Yeah. When you're obsessed with a task, the world feels small, tight, claustrophobic. But when you break that spell and share space, the world feels vast again. It opens up. And then Haynes uses this phrase to describe the room that I think is the poetic center of the whole piece. She writes, there was everything. There was nothing. Just two people sharing space. The everything in nothing paradox. I love this. It sounds a little abstract, though. I mean, what does that actually mean? How can a moment be both everything and nothing? Well, let's look at the nothing first. Like she said, no problem is solved. The deadline didn't move. The email didn't write itself. Right. In terms like productivity metrics, that time was nothing. A zero dead air efficiency zero output. Of course, there was everything. Yeah. By simply sitting there, the isolation vanished. The crushing weight of having to hold up the world by yourself advanced. The everything is the connection. It's that primal realization that you

8:22are not a solitary machine in a box. You're a human being next to another human being. And that is everything for your mental health. It's the difference between doing and being. Nothing was done, but everything was felt precisely. And in a world that only values doing, choosing being is a radical act. So this leads to a realization she has. And this is where the deep dive moves from just a nice story about taking a break to, I don't know, a philosophy for how to live the shift from the physical act to the mental framework. Yes. She starts thinking about where her attention usually goes. She writes, I noticed how often my sense of responsibility points outward outward toward. She says distant needs, large problems. A world that always seems to be asking for more. This hits incredibly hard today. We are constantly bombarded with distant needs. Oh, absolutely. It's the default setting of the information age. Yeah. You open your phone and immediately you're confronted with a war on another continent, a wildfire, a crisis. The world asking for more is basically your notification screen. It never, ever stops asking.

9:26And she's acknowledging that her default is to feel responsible for all of it to point her energy outward. And I think a lot of our listeners, the learners, the people who care about being informed feel this so deeply. There's a moral weight to it. We feel like if we aren't constantly worrying about the large problems, we're being negligent. Exactly. It feels like a dereliction of duty. How can I sit here and drink tea when the world is burning? Yes. We carry that low level guilt. But Haynes hits a wall with that thinking right here. She contrasts that outward pointing responsibility with what she's feeling in the chair. She writes, for me, help is best given close to home, close to home. And then she clarifies through the person beside me. This is a radical shrinking of scope. She's trading the weight of the geopolitical world for the weight of the room she's in. And she uses a specific phrase here that I want to really underscore. She calls this kind of help human-sized. Human-sized, it's such a grounding term. It really is because the distant needs, the large problems, those are giant-sized,

10:27god-sized problems. And we try to wrap our mammal brains around them and we just, we burn out. Empathy fatigue, paralysis. But sitting with a friend, that's human-sized. It suggests we have a capacity limit. We aren't designed to carry the emotional weight of 8 billion people in a 24-hour news cycle. We're designed to care for the tribe, the family, the person within arm's reach. Let me play devil's advocate for a second though. Go for it. Because I can hear someone thinking, okay, that sounds nice, cozy, but isn't that just burying your head in the sand? Isn't it selfish? The fear that local means ignorant. Yeah. If we all just focus on our living rooms, who fixes the big problems? I don't think Haynes is advocating for ignorance. I think she's advocating for effectiveness. She writes, what remains is simple. Presence offered where I actually am. Where I actually am. Think about it. When you're doomed scrolling about a crisis you can't solve, you are not where you actually are. You're dislocated. You're ghosting your own life.

11:30Wow. You are useless to the world and you're useless to the person next to you. That's a brutal truth. You're everywhere and nowhere. Precisely. But when she accepts the invitation, she returns to her actual location. And Haynes argues, this isn't a retreat. She believes there's a cumulative effect. Right. She talks about the math of this. One small act of kindness, one moment of care, they add up. It's the idea that the macro is built from the micro. You can't fix the world if the individual units, the friendships, the neighborhoods are broken. It's like you can't build a strong wall out of crumbling bricks. We are the bricks. That's a great analogy. And the source points out that this shift didn't just change the room. She explicitly says it changed me. It changed me. That's a big claim for sitting in a chair for 20 minutes. But look at the result she describes. Yeah. She says the pressure to respond to everything sawsons. That is the antidote right there, the pressure soften. And isn't that what we're all desperate for? We are drowning in pressure to have an opinion on everything to fix everything.

12:33And here is the simple mechanism to release that valve. Just focus on the person to side you. Something settles. Yeah, to go from that frantic, I don't have time, energy to something settles is a massive physiological journey. And she did it just by saying, sure. It really redefines what good looks like. She ends by saying that whatever good she's capable of begins here, close, ordinary, ordinary. We usually use that word as a negative. Like, oh, that's just ordinary. We want extraordinary, disruptive, revolutionary. But here, ordinary is treated as sacred. Because the ordinary is what's real, the large problems are abstract until they become local. But sitting with a friend is concrete. It's tangible. It's a permission slip almost. A permission slip for what? To stop trying to be a superhero for the whole planet every second of the day, a permission slip to just be a friend, to be a neighbor, to be human sized. I agree completely. It validates the small scale. It tells us we don't have to constantly justify our existence with massive output. Sometimes, the highest calling is just to be company.

13:38So let's zoom out for a second. I know it's ironic. But what's the big takeaway for someone listening to this while they are deep in the spell of their own work? I think the takeaways about recognizing the spell. We need to get better at noticing when we're in that tunnel of productivity or worry, recognizing that feeling of brittleness. Yeah, catching yourself in the act of that silent no. Right. Catching that internal monologue that says, I don't have time for this person. And then testing the power of the pivot, testing what happens if you just say, sure. Because the fear is that if you break the spell, everything falls apart. But her experience shows the opposite. The world didn't crumble. The work was still there, but the tension was gone. She was probably more capable of doing good work afterwards. The battery was recharged. Exactly. The pressure softened. And when the pressure softens, you think clearer. So paradoxically, by stopping to do nothing, she probably made herself better at doing everything else. The everything and nothing paradox again, it really is the core of

14:38this whole deep dive. It is. And I think it challenges the definition responsibility that a lot of us hold. We think it means how much can I carry? Hain suggests it means how well can I attend to what is right here? That's a huge distinction, volume versus depth. And depth is usually where the meaning is found. Okay, so we've trapped the journey. We started with the resistance. I don't have time. We moved to the act, the sharing of space. Then the realization that responsibility can be human-sized. And we finished with the result, the softening of pressure. It's a beautiful arc. And it's one that's accessible to everyone. You don't need a degree or a million dollars. You just need a chair and a willingness to stop. Well put. Before we wrap up, I want to leave our listeners with something to chew on. We talked about how Hain's realized her responsibility usually points outward. Toward those distant needs. Exactly. So here's the thought experiment for you today. As you go about your day, I want you to look around your immediate physical environment. The actual three-dimensional space you're in. The real world, not the digital one.

15:40Right. Is there a human-sized moment of presence right next to you that you are ignoring? A partner, a child, a roommate. And are you ignoring them? Because you're too focused on the large problems you can't actually solve right now. Are you stepping over a real person to get to a theoretical problem? That's the question. Can you trade the abstract everything for the concrete nothing of just sitting there? And if you do, pay attention to the tension. See if it loosens. See if the world opens up again. What would happen if just for five minutes you broke the spell and said sure? You might find that nothing happens. And that might be everything you need. That's it for today's DeepDuck. Thanks for sitting with us. It was a pleasure sharing this space. We'll see you next time. Take care of the person beside you.

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