Bucks_Mexican_Adventure

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Phil Harris and his orchestra. The orchestra opens a program with life begins when you're in love.

Here's a letter from Alberta, Canada, written by a young wife who asks me not to mention her name,

but who gives me full permission to read you this experience of hers. My husband came home

the other day with a gelatin dessert not manufactured by the jello company. Being a beautiful wife,

I'm mumbling something about having just purchased three packages of jello and let the matter drop.

But I knew that this was my opportunity to prove that I know food values and quality and

purchasing. So I made the gelatin dessert my husband had brought home and I also made jello.

Jello gave me a more richly flavored firmer dessert that sat in half the time and now friend

husband is thoroughly convinced that I know my business. Well, we're grateful to you young lady

for sending us that letter. It bears out what I have so often said that jello's fine fresh fruit

flavor is tops and tastes. No other gelatin dessert can equal the famous extra rich fruit flavor

of genuine jello. But remember there is only one jello so always be sure to ask for it by name.

Look for the big red letters on the box. They spell jello.

That was life begins when you're in love played by the orchestra. Now ladies and gentlemen,

we bring you that violinist with the accent on Vile Jack Benny.

Thank you. Thank you. That was very funny Don, very humorous.

Evidently you've been listening to Fred Allen again. Oh yes, yes I have Jack. Did you hear him last

Wednesday? Yes Don, but only with my ears. My heart wasn't in it.

Any man that can stand before a microphone and say that I can't play a violin just isn't normal,

that's all. But Jack he didn't say that you couldn't play the violin. No. All he said was you

shouldn't play it. Oh I say. Say Jack. Yes Mary. All I heard him say once you couldn't play

the violin at the age of 10. I'm glad you brought that up Mary because I've got a photograph of

myself right here taking when I was 10 years old playing the B on my violin. A very difficult number.

Here Mary, look. What do you think of that? I'm glad it's not a sound picture.

They didn't have them in those days. But Jack how can we tell what number you're playing?

Well if you were a musician you'd know. Say who are you working for anyway? Fred Allen or me?

Jello. Oh well let me tell you something. I played violin in concert halls long before I knew

anything about strawberry cherry orange lemon and lime. You left out raspberry. I bet the audience didn't.

That's right give Allen more ammunition to work with. Let's see that picture a minute will you Mary?

Yeah look at it. Fail your musician. That proves conclusively that I'm an artist.

Well Jack anybody can have a picture taken with a violin. Yes Phil but look can't you tell from the

way I'm holding it that I can play you're holding it upside down. Well it's much harder that way.

Anyway I had a small chin and I couldn't put the violin under it.

Now you can put a cello under it.

That's so. Can I see the picture to Jack? Why? Why two twos?

Why do you why do you want to see the picture Teddy? Well everybody else was getting last out of it.

Yeah you don't need it. Don't get cute Teddy and another thing Fred Allen said I only had two

strings on my fiddle. Imagine that's what he called my strativary as a fiddle. Is it a strativary?

That's not the point. Anyway you can't Mary you can't would you how many strings do you see in this

picture? A four. A three on violin and one around your waist. Well that was to hold my trousers

up I was a poor boy in those days. So it burns me up Allen taking on a poor defenseless boy.

Anyway I don't want to discuss it any further. Hmm I should stoop to argue with a toothpaste salesman.

Well you could use one. I said toothpaste not to pay. Now let's forget it. Say Kenny I want you to

sing your song earlier tonight. It's very important. Okay Jack. Come in.

Is it Benny? Yes. I want to take this opportunity of wishing you and your company a very very happy

new year. Say what is it? How long are you going to keep coming here until I get paid? Goodbye.

Right. See if he's going to stick around all year. It looks like it. Think Kenny.

There's a little old shirt that's covered with love where I held your hand and believe.

I often go there to gaze at the cross and believe you're there with me.

I'd love to hear the organ in the chapel in the moonlight while we're strolling down the aisle

with your hand in mind. How I'd love to hear you whisper that you love me tenderly

and the love like in your eyes forever would shine. Till the roses turn to ashes

till the organ turns to rust. If you'll never come I'll still be there till the moonlight

and to die. I'd love to hear the choir in the chapel in the moonlight as they sing

Oh, promise me I'll ever be mine. I'd love to hear the choir in the chapel in the moonlight

That was a chapel in the moonlight sung by Kenny Baker and very good too and now ladies and

gentlemen at this moment we have a great treat and store for you and a real surprise. A guest star

who needs no introduction. A no doubt most of you have read about the recent open golf tournament

held right here in Los Angeles at Griffith Park. This tournament was won by Mr. Harry Cooper

whose sensational last minutes first will go down in golf history. His playing throughout the

entire match was nothing short of phenomenal and yet Mr. Cooper remains the same modest,

unassuming fellow he has always been and so now ladies and gentlemen without further ado

it is my pleasure to present to you the man who was hit in the face with a divot dug up by the club

held in the hands of Harry Cooper none other than Mr. Oscar T. Fortu.

Mr. Fortu it is a rare privilege to have you appear on our program. Thank you I know how you feel.

Now as I understand it we can go Saturday you were hit with a divot that is a clump of dirt thrown

up by Harry Cooper's club is that correct? Yes indeed he. Now tell me Mr. Fortu how did you

happen to get hit in the face with a divot? I forgot to pivot. Well I can hardly believe it.

Would you mind telling me exactly how and where you were hit you'd be so kindly?

Yes well I was standing in the fairway facing Mr. Cooper I say and when he stressed the ball

he dug up some turf which caught me perplunked in the kisser. Oh yeah in fact some of the dirt

went in my nostrils and some of it went in my mouth. Well well and what did you say when that

happened? I've got you under my skin. Well you showed great presence of mine. Yes indeedy.

Mr. Indeedy goes to town. Tell me Mr. Fortu do you do anything else besides getting hit

in the face? Oh very little. Of course once in a while I like a good kick in the face.

You get one if you hang around here. Quiet. Well sir it's been a great honor having you with it

and I hope we'll see you two again with more dirt than ever on your face. Well thank you and

here's my view. Well I'm a furry now as I'm going to see a movie and it's starting a few minutes.

Oh what's the name of the picture? The Dugare. Oh goodbye.

What other programy brings you these highlights? So now ladies and gentlemen going from the subnormals

of the sublime we will pick up the eleventh chapter and we hope the final one of our original

western cereal box many rides again or the horse the jackfills. Once more I will enact the role of

chair of bus bennie as tougher number he has ever scratched his back with a wild cat.

This will go on immediately after the next number. Play field.

That was lady be good from the production of the same name played by Phil Harris and

his orchestra. Now ladies and gentlemen for our play box bennie rides again. In the opening scene

we find Buck on horse fat approaching the home of Daisy Carson and his sweetheart.

Curtain. Beautiful.

Hey I'm out. Yeah I'm out.

Woo! Parker! Woo!

A good horse even if he is bald better.

Hey boss! Boss!

Well thought we'd find you here, sir.

Hello the beauty is. What's wrong?

Two of our guests broke out of jail. They did? Who are they?

Let's face tomorrow and slim boy. That face is slimy. You better get after him.

I'm on the trail of fatty now. Now where are you going, bakers?

After the thin man.

Now go ahead boys. Glad you're leaving with a last.

Come in.

Well hello Daisy.

Hello tall dark and big ears.

Well girl you can't exactly head into the wind yourself.

Can I fix your little breakfast?

No thanks but I am thirsty mind getting me a drink of water Daisy.

Sorry boss but happy till the well full of brandy.

Just like it. Where is your battery?

Once again in the well he's gonna like Molly's drink.

Daisy I'm glad I got a few minutes for you alone.

You know my mobs and tasty things over.

She asked me to ask you to marry me. How about it?

Well when you get home tell your mom that you asked me.

And I told you to tell her that I said no.

Yeah maul be mighty disappointed.

Which I could say the same.

Anyway bak I told you once before that I told you.

I told you I could say the same.

Anyway bak I told you once before that I told you.

But I told you I would marry you to happy happy gone.

So happy happy happy gone.

Yep but I don't mean out.

I sure like to see that old shut up.

Help help just give elephant all my praise.

Here's some happy now.

Hello buck.

Hi your friends what you got in that bottle.

It stopped in at the drug store and got myself some prop style.

Rocks I don't tell me you're gonna drink that.

Nope just thought I bleached my nose.

Good idea Frank you've been shopping traffic on main street long enough.

Did you have your breakfast yet happy?

No hey Daisy you got any eggs now.

Sorry but we're all out of them.

Just mad my heart's fed on a gin omelette.

That's too bad.

So long buck.

Where you going happy?

If you want me I'll be in the well.

Good old happy.

There we go.

Well gotta be running along Daisy.

You know I still haven't found tactic to say to your happy stolen cow.

But it won't be long now.

The time you find our cows will be given gray milk.

Don't worry gal.

You going to reconfitter my maul's offer?

No boss.

Anyway is that arrival now?

I'm kind of stuck in somebody else.

Oh yeah?

Well I ain't jealous gal.

But if anybody steps in between you and me.

Well well what?

Just well let's go.

Just plain well.

Are you calling me go happy?

Go back in.

Better be careful in that well Frank.

Talk to your friends like a face too.

Well that's something that is.

Come in.

Oh Daisy.

Hello Chubby first.

Here Daisy I've got you a box of chocolate.

Thanks.

Well Annie these things are all maled together.

Well may be the chocolate barn shut up.

See you're cute.

Stay Daisy.

My maul asked me to ask you to marry me.

What do you say?

Wait a minute Andy.

My maul asked me to ask Daisy first.

Well my maul likes Daisy better than you're maul does.

Oh yeah?

Can your maul better be terrible because my maul packs the wicked rice.

My maul does job good for nothing.

Mind if I have a piece of candy?

Help yourself but Frank.

Oh that's my corner.

You keep on over there.

Now let me tell you something Andy.

I'll answer that phone Daisy on the second and the fourth and fourth.

Hello?

Here?

Who?

Why hello box?

It's box young.

But don't.

Not that big grossy maul just that.

I know.

Yeah so I have a head on it.

Have I got time to bite my nails?

Pardon me interruptions but what's on your mind?

Yes.

Well burn my riches and put me in thought.

Thanks but see you later.

Come on.

What is this?

And he said he just saw cash and face walking into the old car.

Now we've got to get on the horse and Andy and head for him.

Don't wait for us at the hotel there.

Good-bye, Andy.

Good-bye, happy.

I sure will.

Well we're on our way to Mexico.

And this time with all the things back after pain.

Yeah!

Well then he rides again.

Oh there's Andy divine.

Fucking Andy are now on the way to Ensignat.

They may not find cash and face.

And this time with all the things back after pain.

Yeah.

Well then he rides again.

Oh there's Andy divine.

Fucking Andy are now on the way to Ensignat.

They may not find cash and face.

But they will find yellow.

And that's all I care about.

Because whether you're in the United States or Mexico,

you can always get the genuine yellow

with the big red letters on the box.

No use rushing Andy.

We got a long ride ahead of it.

A long tough trail.

We sure have, but you want to hear some music?

Where are you going to get music?

Well I had a radio built from a horse.

Well.

Goon are in Andy.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

Goon are in.

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This is the time of the year when it's usually difficult to get something new and different

into your menus.

So here's one suggestion that is found to give you that welcome touch of variety.

For salad supreme it's a delicious jello salad, here's how you make it.

There's all the package of lime jello in one fine of hot water and a chill and slightly

thickened.

Then fold in one cup of diced tart apples, one cup of chopped cabbage and four finely

chopped for stuffed olives.

After that simply mold this grand combination and serve it on crisp lettuce with some real

mayonnaise.

It makes a wonderful salad, one that will add variety to any meal.

And just be sure you make this salad with genuine jello.

For only jello brings you that mellow extra rich fruit flavor.

Remember to ask for the real thing, insist on the one and only genuine jello.

This is the last number of the 16th program of the new jello series and we'll be with you

again next Sunday night.

Meanwhile, I want to thank all of our guests this evening, hope we had as many listeners,

a buck Jones of Universal, Andy Devine of Likewise, Kathy Flick of Warner Brothers and

Jacks and E.W.

Keegan.

Hmm.

E.W.

is not just folks.

Thank you.

Welcome.

Oh.

Oh.

Thank you.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Oh.

Here.

Current and floating.

One of us is running away.

Oh.

I'm sorry, in fact, that A was very living,

since I'm confused, and they had these studios in Hollywood.

Listen to the red-bed work of the National Broadcasting Company.

KFI, Los Angeles, Earl C. Anthony, Incorporated.