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Anna Maxwell Martin Opens Up About New Love

About this episode

Actress Anna Maxwell Martin, 48, shared her love story with cameraman Richard Cornelius on ITVs The Assembly, a show featuring interviewers with autism, neurodiversity, or learning disabilities. She met him post-Covid lockdowns on a film set, and theyve been together since. Anna, who has two teenage daughters, emphasized her focus on family and avoiding difficult people on set, except for high-paying roles. Her candid chat on the show, known for its honest vibe, continues to draw attention.

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Anna Maxwell Martin Opens Up About New Love

Entertainment & Celebrity News Today | 2 Min News | The Daily News Now!

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Entertainment & Celebrity News Today | 2 Min News | The Daily News Now!Anna Maxwell Martin Opens Up About New Love. Machine-transcribed; use the interactive transcript above to jump the player to any line.

It's April 21st. Welcome to Entertainment and Celebrity News today, powered by AI. I'm Corey with the story. Actress Anna Maxwell-Martin, 48, opened up about her boyfriend, cameraman, Richard Cornelius, on ITV's The Assembly This Week. The show features interviewers who are autistic, neurodivergent, or have learning disabilities, and they got straight to asking how she met her guy at work. She laughed and shared the details, saying they connected right after COVID lockdowns. On a production set, she spotted him, thought he looked nice, made the first move, and they hit it off on a date. Richard's worked on big films like Paddington and Peru, Wanka, and Ted Lasso. Fans loved the show's honest vibe, and Anna's candid chat highlighted her fresh start after tough times. She's got two teenage daughters, 16-year-old Maggie and 14-year-old Nancy, from her previous relationship with director Roger Michelle, who passed from a heart attack in 2021, a year after they split.

These days, Anna prioritizes her girls, saying she only wants to be with them and has no bandwidth for difficult people on set, unless it's a well paid. Gig, she jokes she's not marrying any cameraman. That raw openness keeps drawing eyes to the assembly, proving real talk still cuts through the noise.

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