Alex Heeyeon Kil (Editor-in-Chief: Monochromator)

EVERY DAY IS MOTHER’S DAY

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A monochromator is an optical device that separates light, like sunlight or the light from a lamp, into a range of individual wavelengths and then allows …

… Sorry. I failed physics the last time I took it and I would fail it again. I’m not telling you about my shortcomings for any reason, because a podcast about my shortcomings would be endless.

But I thought I’d look up the word when confronted with Monochromator magazine, which aims to “deconstruct selected films under a shared monochrome to reconstruct them for social relevance.” Look, that’s what it says on the website.

But when you read the magazine, you get it. This is politics and social issues filtered through big movies. How big? The first issue uses Barbie and Oppenheimer to examine the rise of American power (hard and soft).

Having said that, it’s very interesting reading and not heavy. And editor Alex Heeyeon Kil is not even sure she’s editing a film magazine. She sees Monochromator as a discussion about the real world using fictional stories, in this case movies. And her team, divided between South Korea and Germany, publish this annual magazine knowing they might step on more than a few landmines.

Strap in. Or turn on a lamp and take a look at the light and maybe you’ll understand what you’re seeing better than I ever will.

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