20260330-1600

0:00perspective on the world and keeps us from coming to know people from other backgrounds. Our homes isolate us further. Today we keep ourselves locked apart in little boxes partly out of fear of those capitalism has treated even worse than ourselves and partly we believe the paranoia propaganda of the companies that sell security systems. Today's suburbs are cemeteries of community the people packed separately into boxes just like our

1:03supermarket products sealed for freshness. With thick walls between us and our neighbors and our friends and families scattered across cities and nations it's hard to have any kind of community at all let alone share community space in which people can benefit from each other's creativity and both our homes and our jobs keep us tied down to one place stationary unable to travel far through the world except on hasty vacations even our travel is restricted and restricting. Our modern methods of transportation cars buses subways trains airplanes all keep us locked on to fixed tracks watching the outside world go by through a screen as if it were a particularly boring television show. Each of us lives in a personal world that consists mostly of well-known destinations the workplace the grocery store a friends apartment the dance club with a few links in between them sitting in the car standing in the subway walking up the staircase and little chance to encounter anything unexpected or discover any new places a man could travel the freeways of ten nations without seeing anything

2:06but asphalt and gas stations so long as he stayed in his car locked on to our tracks we can't imagine a truly free travel voyages of discovery that would bring us into direct contact with brand new people and things at every turn instead we sit in traffic jams surrounded by hundreds of people in the same predicament as ourselves but separated from them by the steel cages of our cars so they appear to us as objects in our way rather than fellow human beings we think we are reaching more of the world with our modern transportation but in fact we see less of it if anything as our transportation capabilities increase our cities sprawl farther and farther across the landscape whenever travel distances increase more cars are needed more cars demand more space and thus distances increase again and again at this rate highways and gas stations will one day replace everything that was worth traveling to in the first place everything that hasn't already been turned into a theme park or a tourist attraction that is some of us look at the internet as the final frontier as a

3:09free undeveloped space still ripe for exploring cyber space may or may not offer some degree of freedom to those who can afford to use and explore it but whatever it might offer it offers on the condition that we check our bodies at the door voluntary amputation remember you are a body at least as much as a mind is it freedom to sit stationary staring at glowing lights for hours without using your senses of taste touch or smell have you forgotten the sensations of wet grass or warm sand under your bare feet of eucalyptus trees or hickory smoke in your nostrils do you remember the scent of tomato stems the glint of candlelight the thrill of running swimming touching today we can turn to the internet for excitement without feeling like we have cheated because our modern lives are so constrained and predictable that we have forgotten how joyous action and motion in the real world can be why settle for the very limited freedom that cyberspace can provide when there is so much more experience and sensation to

4:12be had out there in the real world we should be running dancing canoeing drinking life to the dregs exploring new worlds what new worlds we must rediscover our bodies our senses the space around us and then we can transform the space into a new world to which we can impart meanings of our own to this end we need to invent new games games that can take place in the conquered spaces of this world in the shopping malls and restaurants and classrooms that will break down their prescribed meanings so that we can give them new meanings in our accordance with our own dreams and desires we need games that will bring us together out of the confinement and isolation of our private homes and into the public spaces where we can benefit from each others company and creativity just as natural disasters and power outages can bring people together and be exciting for them after all they do make for a little thrilling variety and otherwise dreary predictable world our games will join us together in doing new and exciting things we should have poetry painted on the walls of the shopping

5:16districts concerts in the streets sex in the parks and classrooms free picnics and supermarkets spontaneous festivals on freeways we need to invent new conceptions of time and new modes of travel as well try living without a clock without synchronizing your life with the rest of the busy busy world try taking a long trip on foot or bicycle so that you will encounter everything that you pass between your starting point and your destination first hand without a screen try exploring in your own neighborhood looking on rooftops and around corners you never noticed before you'll be amazed how much adventure is hidden there waiting for you real maps of the imaginary world imaginary maps of the real world our present maps describe a world no human being has ever set foot in a world of carefully measured distances and standardized symbols frozen in time empty of emotional ambiances an objective world when today we all know that there is no

6:16world but the subjective these maps hold so little information of real relevance to human life that it is no wonder we get so lost using them around and around in circles we go arriving on time at our supposed destinations with no real idea of where we're bound or why let alone what there is to be found in this world beyond interstate highways and Newark New Jersey if we made our maps ourselves plotting our individual experiences rather than the data provided by our instruments they would reveal clearly what it is like to be a human being in this world perhaps then we could go about creating a world for human beings to live in not instruments a book like on the road is an example of one of these maps it charts the path of a few individuals through space and time chronicling the traffic of their hearts as well as the motion of their bodies granted it might not be much use for figuring out street directions to a gas station in Denver but in the long run it will help you get a lot

7:17further than a road map of Colorado ever could it's true that we all experience the world differently and that if we make our maps sincerely i.e. subjectively they will all look different but that should be caused to celebrate the breadth of the world not to grumble and just as a novel about people you have never met can serve as a useful map for your own life these very individual records can often be useful for many other people and in a variety of ways you'll find that if you speak honestly for yourself you're probably speaking for others as well that's a part of being human and our excuse for throwing around the world we so mercilessly in these pages

9:23and i don't want to be like ever-crispy i don't want to be no-trick-hawful i don't want to die in white dress with jeans quack last baby boss i don't want to be like they are not seen i don't want to use great men to get drunk i don't want to live in Germany i want my freedom i don't want to be another European i don't want to drive a fever i don't want to die in that movie oh yeah need a i don't want to be another judgey i don't want to be no touch away all i really want is to be free a free rebel you're doing this with some kids i have some stuff to say some street? yeah

10:30we are one in harmony singing in celebration we are one in harmony singing in love we are one singing in celebration we are one singing in love well you know we've been waiting a long time just to remember this song and we waited so long but we're opening now to the song that we all come from we are one in harmony singing in celebration we are one in harmony singing in love

11:32we are one singing in celebration we are one singing in love we are one with the light that shines and everything that lives and with love open up your heart you can truly leave it we are one in harmony singing in celebration we are one in harmony singing in love we are one singing in celebration we are one

12:34singing in love we are one in harmony singing in celebration we are one in harmony singing in love we are one singing in celebration we are one singing in love well you know we've been waiting a long time just to remember this song and we waited so long but we're opening now to the song that we all come from we are one in harmony singing in celebration

13:36we are one in harmony singing in love we are one singing in celebration we are one singing in love we are one singing in celebration we are one singing in love we are one with the light that shines and everything that lives and with love open up your heart you can truly leave it we are one in harmony

14:38singing in celebration we are one in harmony singing in love we are one singing in celebration we are one singing in love we are one singing in celebration we are one in harmony singing in love we are one singing in celebration we are one singing in love

16:03we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration

17:07we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration we are one

18:09singing in celebration we are one singing in celebration we are one singing in celebration we are one singing in celebration I'm here, I'm here. But they're not allowed to help us. Yes, I'm here. I'm here. I've talked to people in the Stimure Hall, because they can't do anything like this. Well, what we're going to do is as follows, it's a very quiet room, so I'm going to wait until the

19:17light is. There are a few people inside. Then I'll tell you a little bit, well, no, we're going to have to wait until it's still, because I'm going to stay in my little room. Well, what we're going to do is I'm going to vote, but the one from that room thing, I don't know, I'm going to have to search for it. But those little things that are already there. That's not so good. So that's what I'm going to try. Well, I'm going to go in. Yes, I'm now in the... Oh, yes, that's the building, that's still going on.

20:20This building is mainly from the State Alliance. How does this building look like over here? Does this building look like the house of the Alliance? Well, there's another group. But it's a kind of roof roof, something like that. I don't really have any idea what's going on here. So I'm going now... With that building, you can see that there's a lot going on here. I'm going now in the direction of... my temple, now... to our home.

21:23What's going on here? Hello? Yes, I'm in the mood, so... That's a thing. But... I don't really understand what's going on here. So I don't want to get out of here, so I'm really going to do this. Yes, I'm going to do this. In the room. In the room. Okay. Are you okay? Yes, I'm okay. I don't want to get out of here. I don't want to get out of here.

22:25Thank you. Well, this is a... fresh drama. This is very close to the door. This is the temple. This is very close to the door. Well, I have now... a... this square... and... a square... a square square in a square square. And... a... a square in the bus. Yes, well, that's it. Thank you very much. I just wanted to talk to you a little bit.

23:28Right? Yes. Yes? One, two, two, one. It's now really dark, but I'm really going to... and I'm... I'm going to be there, or am I... I'm going to be there. Okay, thank you. Well, that was the temple. Bye. Bye.

24:39I still love you, girl. I think you love me by the way you come on, girl. Then I turn around for a minute, you come on, girl. I love you, girl. I can't live. I love you too. I need you to kiss me. We met.

25:41I think you know you know that I love you very much. I thought... very much i knew you were the one that I knew. I never. I've got some things that I'm trying to show you But you've made a way, how can I get to know you? Through Game of life I've got some things that I'm trying to show you I've got some things that I'm trying to show you

26:48But you've made a way, how can I get to know you? One time I had a friend in my skin Like the mark of the beast, the mark of my head Lost some reputation, I'm a popular disgrace Everybody knows me from my infamous face I've got some things that I'm trying to show you I've got some things that I'm trying to show you But you've made a way, how can I get to know you? One time I had a friend in my skin Like the mark of the beast, the mark of my head Lost some reputation, I'm a popular disgrace I've got some things that I'm trying to show you But you've made a way, how can I get to know you? One time I had a friend in my skin Like the mark of the beast, the mark of my head

27:49Lost some reputation, I'm a popular disgrace I've got some things that I'm trying to show you But you've made a way, how can I get to know you? One time I had a friend in my skin Like the mark of the beast, the mark of my head Lost some reputation, I'm a popular disgrace When they sent me a run But they don't understand No special one Don't you see these coming in a saucer line? Just you, the terror, back in the mind The phone is in it when you're brand new Brand new mob, forever Forever is the form of perfection, I've worked for nothing when you're branded, branded, my time's coming at me, I'll pass that aside

28:57I've worked for nothing when you're branded, branded, my time's coming at me, I'll pass that aside Forever is the form of perfection, I've worked for nothing when you're branded, branded, my time's coming at me, I'll pass that aside

29:57Forever is the form of perfection, I've worked for nothing when you're branded, branded, my time's coming at me, I'll pass that aside Forever is the form of perfection, I've worked for nothing when you're branded

30:57Forever is the form of perfection, I've worked for nothing when you're branded, branded, my time's coming at me, I'll pass that aside Forever is the form of perfection, I've worked for nothing when you're branded

31:57Hello, I'm been arranged, I'm just getting married at home today I'm some of my best friends tonight From reasons of calling written by the cubed team members Hello, hello, I am Radio Patapool, I am your colleague, we are here today. We are together with the residents of this winter, which are sorted and built by the sunflowers that have been growing in the forest for 24 years. They are now in the bushes with instructions on how they can grow in the coming months. So you have to start over half a year.

33:00There is still something to do at night, so you have to stay in the forest for a long time, but there are still a lot of people outside. And the idea is that they have around half of me. In the whole city, there are a lot of beautiful places, a lot of beautiful yellow lights. The whole city is in blue. But it is also an action form. It is actually about the last scene, you would actually see the ground in the Camerapolder and the ground where these flowers have grown up. That is the ground where there are no artificial plants, where there are no wild animals. All that is biological, it is the grandpa of the brewery now. We have to keep this ground for a long time.

34:02I think we are going to the only ground where the ground is all around Amsterdam. And it is super enjoyable, because it is small. And we want to show you, this is the face of our city. So now the distribution has been built. Six hectares have already been built. Because of course, with a kind of gold in the eyes, we are going to make something with it. But the gold is actually green. And through the blue sun in the whole city, you can actually see the power of the ground itself. So the gold becomes visible in the whole city. And we hope that the ground, through that so many Amsterdames are enthusiastic, and together with your goal, you want to do something here. Because it is not only about the Camerapolder, but it is about the environment,

35:05the protection of the ground, the protection of vitality, biologicality, for the next generation. Well, it is very important. Because it is gold. Because it is gold. Because it is military. Because it is gold. You know, in Westport you can now learn. Yes. And in the Camerapolder, it is gold. And in the ground. It is a real ground. It is a real ground. For so far, I know. But it is a real ground. Yes, but I want you to eat. You can not eat it. But on the ground you can eat food. And it remains to go through. If you are good for luck. But you don't have to go through it. It is good for you to go through.

36:05And you can learn the whole city through... ...through the good for luck. And that is really the challenge of this action. We are in the state... ...for the community to have radical decisions. Yes. So that they... Well, there have been a number of protection... ...for the next distribution. Yes. ...that are exactly what the ground was built again. The explanation was... ...that they wouldn't be built... ...if it weren't for you. But we see it now. The question is... ...or that what is discussed has also been removed. But in such a long time... ...you can prevent it. So... ...which gold wants.

37:05That gold is what the ground is... ...or gold is what the dollar is. I think that you are in this state... ...when you look at the Dutch ground... ...how armbis it is... ...how bad the biodiversity is. With the water quality... ...that you actually have to say... ...all this sort of place... ...the most beautiful... ...and especially the 13 hectares... ...who have such extreme quality... ...that you can't get any more. Yes, especially in the state. Especially in the state... ...that you have to deal with... ...because... ...you have to keep going. No. This is much more essential. This is much more essential. But people don't think that much about the ground. This is what you can have. You can get it.

38:05No, you have to get it. You have to keep going. That's how it can stay. That's how it goes. That's how it goes. That's how it goes. And how do you... ...how do you... ...how do you come to the beach? Well, look... ...the first part was... ...that we went through... ...a lot of different places in Amsterdam... ...they are going to sit... ...and they have sorted... ...and they just sit in a table. Yes. What do you think about the second half? Yes, it was a workshop. I don't know. I've been on a lot of places in North... ...in Oost, in West, in New West. We've been on the beach for 45 years. We've been on a lot of places. And actually... ...is that to make knowledge. To make storytelling. To tell about this whole project. And... ...and just...

39:06...why are the green fingers sitting there? Because... ...this phase... ...we're going in now. This is the phase of the green fingers. The previous week... ...that had to be sorted... ...yeah... ...we also have all the examples... ...how you... ...yeah... ...we're talking with a book... ...and WC Rolletjes. Yes. ...where through the bottles... ...a part of a cake. ...where you can grow... ...but you can give it one more time... ...and you can also put it in the inside and outside. Yes, that's true. Yes. It's a sort of dingblad... ...with all the WC Rolletjes... ...where the ground is in place. Yes. And because the lower bottles don't work... ...because the bottles... ...are so fast... ...need to grow them. That's very fast. Oh, it starts to mix with me. Because in two years... ...they have the WC Rolletjes. No, that doesn't work. No, that doesn't work. No, that doesn't work. No, that doesn't work. That doesn't work. Because at the end of the 30th century... ...they are beautiful examples... ...and also an example... ...when they are outside... ...they want to do that...

40:07...because they can't make it to the end. So let's show them here... ...in a simple way. Look, this is the wall. Can you make a wall? Yes, and then you make a wall... ...to do that. To do that. To do that. To do that. To do that. Yes, because on the ground... ...you have a circle. Yes, so you have a first floor. Yes. And on the ground... ...you have a place where you sleep with the community. Yes. Well... ...that's where we sleep. And then... ...you have to sign up for the sleep. Yes. Well, and that's a good way. Yes. And look what we have done here today... ...where we started with the postcode card. Oh, yes. So every year... ...if I really get sorted... ...then I can send the postcode... ...and also send an e-mail address. But today... ...we started with the people who come here... ...where do you want your son to plan?

41:07And... ...you can see... ...we started with a postcard. Here... ...that's how you do it. Yes, well, yes. I don't know. There I know. And yes, there we come. Okay. Come on. There are already three of us on my card. But it doesn't matter. How many times do you do better? As you please. Here is that nice little one. And then we make a nice pink one. See? One on the VG and one on the King's Hook. Very good. And now you eat on the Hook... ...of the Nicholas Beats and the Canal. And where is that? Out West. And look. Can you see that? And where do you eat it? No, no, no. Okay, that is that. That is the Nicholas Beats. Yes, yes, yes, yes, yes. Perfect. Perfect. Perfect. Well, you see, after one day here in the sea... Yes, that's a nice place. And we have really divided thousands of them today. Yes.

42:07And we also ask each of them... ...we give each of them instructions. Yes. And we also ask each of them... ...if they really are in the neighborhood... ...to be good for them. Because of course we want... ...to be able to enjoy the enjoyable evening. Yes. And that it becomes a enjoyable project. Yes. So we talk to each other... ...but as you see, there are a lot of places in the city. Yes, there are a lot of places. Yes, no, here in Noord I know... ...that I have a lot of people there... ...but they all come to me. Another place in Noord. Yes, I have been there for a long time... ...and then here is a nice place. But there are a lot of... ...with green names. Here in the Netherlands... ...there is a place, a home town. Yes. There are still a lot of places in Noord. There are a lot of buildings. Yes. Yes. So this is only one day.

43:08But I am aware... ...of how many flowers there are today. Yes. So... Yes. Yes, it is really super fun. Yes, we did not have that one yet. But how does it go further? Well, if you want more information... ...but I take it to you... ...that you are a fan. Yes, I see. Then I ask you a question... ...in your post code and an email address. Yes. But I know... ...that it will be very good for you. Yes. And I also have a lot of places in Noord. I believe. Okay, but take a look... ...because we have a lot of people here... ...who are very... ...who take a look at me. Look, this is good. Oh, okay. Very good. Oh, there is an interesting place. And maybe it is also good to meet... ...if people... Oh, there are a lot of people, right? We want to do activities... ...at food park Amsterdam. Everyone can read it. Yes. Information is on the website. Food park Amsterdam.nl. You can also on Instagram.

44:08You can follow us on social media. Yes. Yes. Do me a favor. Okay. The best thing is... ...that you plant that summer... ...with your flowers in it. Yes. ...and that you... ...make something beautiful with it. Sorry. And that actually... ...the whole theme... ...of fruits, fruits and vegetables... ...that you will have a place in your own place. There it goes. Yes. That's it. Thank you very much. Thank you. Yes. Now I will go to... ...the city plot. Ah, the city plot. Yes. With the city plot they know something about compost... ...the Bakami. But they know compost... ...with such a terrible thing. And then you can hear the words. Maybe it's pretty much out of the way. But tomorrow you can make this... ...and see those living in the world. It's really nice.

45:09I don't think we've eaten that much. No, I don't think so. Guys, I'm in. What's it today? I'm having a good time. Why don't you stay free wherever you be? You ask a question? If is your answer? There's a place called Africa... ...from far away. Blessed is the land that is so grand... ...for I and I can stretch food to ask one another. Follow your sons and daughters of one father... ...from the great place called Africa. One stays the square of front... ...and I know she can't be wrong. Take me back to Africa... ...my mom will help you die. Get out of here.

46:09Rock, drums, knock your wound dead. This is African-abulted. Forward on the seed... ...to let mine and mine reeky. So mine and mine will be free wherever you be. It's no more change, I tell you. We had to work and slay each day... ...for both you took a day. But a brighter sun has dawned today... ...and they can stop us from what makes... ...a time she come for you and I... ...she bowed ahead and cried. Blessed are the meat for this you never turn. Blessed are the white sauce for this naughty white taste. David put your sauce in jar... ...for the first month there is still room... ...but the fight is for Ivar. So the mountains are on the both side of this land... ...so it's jar on the both the sun and dawn... ...forever and everything in dread.

47:09Here's a place called Africa... ...for a far away. I heart this side and pray the job for Ivar. Is that they might be seen... ...for I build a record... ...that they have a seal of jar... ...but not according to knowledge. But they've been meeked around to enjoy... ...righteousness in knowing about... ...jacket time with your own righteousness. They have not so meet themselves... ...until the righteousness of jar. Give ears and to Ivar so jar... ...consider I meditation... ...obniscient advice if I cry... ...I think and I got. I want to be without three forever... ...unever seen in dread. Ever drank, ever drank, ever drank. Ever drank, ever drank, ever drank. Ever drank, ever drank, ever drank, ever drank. Ever drank, ever drank, ever drank. Where I sickle's heart, the blossom's sweet, but in my heart there is no spray.

48:37You are my spring, my summer too, it's always winter without you. The flocks hit nose and the lilac's blue, at night they send my moonlit room. You are my spring, my summer too, I'm going north to look for you.

49:47You are my spring, my summer too, I'm going north to look for you. Like a wind born bird, my heart goes forth, sent by the spring to the shining nose. You are my spring, my summer too, and I'm going north to look for you.

51:03You are my spring, my summer too, I'm going north to look for you. You are my spring, my summer too, I'm going north to look for you.

52:03As long as you and me, what is it all to me? Settle down, settle down, with your sexes outweights, they won't go through anywhere. You are my spring, my summer too, I'm going north to look for you.

53:23You are my spring, my summer too, I'm going north to look for you. In the science of the mind there is no point more thrilling than to notice which I never noticed in schools that in our endeavors to recall to memory something long forgotten. And we often find ourselves upon the very verge of remembrance without being in the end able to remember.

54:24Under the intense scrutiny of Lajiya's eyes I have felt the full knowledge in force of their expression and yet been unable to possess it, and I've felt it leave me as so many other things have left. The letter have read, the bottle have drunk, finding in the communist objects of the universe a circle of analogies of metaphors for that expression which have been willfully withheld from me. They access to the inner soul denied. Eyes blazed with the two glorious effulgence, pale fingers transparent wax and the hue of the grave. Blue veins upon the lofty forehead swelled and sunk impetiously with the tides of deep emotion. And I saw that she must die, that she was wrestling with the dark shadow. Her stern nature had impressed me with the belief that to her death would come without its tears. But not so, I groaned in anguish at the pitiful spectacle. I would have sued, I would have reasoned, but she was amid the most convulsive of writhings. Oh pitiful soul, her voice more gentle more low, and yet her words grew wilder of meaning.

55:29I reeled and trance to a melody more than mortal. She loved me no doubt, and in her bosom, love reigned as no ordinary passion. But in death only was I impressed with the intensity of her affection, her more than passionate devotion amounted to idolatry. How had I deserved to be so blessed and then cursed with the removal of my beloved upon the hour of her most delirious musings? In her more than womanly abandonment to love, all unmarried and unworthily bestowed, I came to realize the principle of her longing. It was yearning for life, an eager, intense desire for life which was now fleeing so rapidly away as she returned solemnly to her bed of death. And I had no utterance capable of expressing it, except say, man death not yield to the angels, nor unto death utterly, save only through the weakness of his feeble will. I became wild with the excitement of an moderate dose of oil.

56:32I saw her raising wine to her lips, or may have dreamed that I saw fall within the goblet, as if from some invisible spring in the atmosphere of the room, three or four large drops of a brilliant and ruby-colored fluid, falling, while I GLA in her bed of ebony, the bed of death with my eyes riveted upon her body, then came a moan, a saw-blow, and gentle but once. I listened in superstitious terror, but heard it not again, and visioned to see any motion in the corpse, but there was not the slightest perceptible. Yet I had heard the noise, and my whole soul was wakened within me. The red liquid fell, and I thought, liger lives, and I felt my brain real, my heart ceased to beat, and my limbs go rigid where I sat. In extremity of horror, I heard a vague sound issuing from the region of the bed, rushing to her I saw. I distinctly saw a tremor upon the lips. I sprang to my feet, and shaved and bathed the temples and hands, but in vain, all colour fled, all pulsation ceased.

57:35Her lips resumed the expression of the dead, the icy hill, the sunken outline, and all the losom peculiarities of that, which for many days had been the tenet of the tomb. And again, I sank into fission's magia, and again, I heard a low sob, as I looked she seemed to grow taller. What inexpressible madness sees me with that thought. I ran to touch her. Her head fell in her clothing crumbled, and their strained fourth huge masses of long disheveled hair. It was blacker than the raven wings of midnight. Thank you so much for having me. So, very kind of you to come to this.

58:53Thank you so much. Dance me to your beauty with a burning violin. Dance me through the panic till I'm gathered safely in. Well, if me like an olive branch, be my homeward done. And dance me to the end of love. Dance me to the end of love. Let me see your beauty when no witnesses are gone.

59:56Let me feel your moving like they do in Babylon.