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48:38. . . . . . . . . . . . . . . . of life. Mamatogni is a dramatic monologue and plays in the night war, the Second World War in Italy. The piece tells the story of Giseppe Modena,

49:42also known as Mamatogni, a mother to the fascists and revolutionaries. The theatre group has the monologue and the voice of the mother from Kurdistan has continued. The piece shows that fascism in Italy is the same human-friendly ideology, as she is also the IS, the Turkish state, and has the theoretical transition. It is based on the same state and does logic, as well as the education and the murder of all the people who do not speak their ideology. At the beginning of the theatre piece, Mamatogni is preparing the first piece and the theatre will be a part of the fascism of the fascists on the market. She knows fascism as her own experience and knows that such fascism is not legitimized. She does it on the way to the market. Mamatogni is a woman who is deeply involved in the society and the history of fascism. As a symbolic act, she is with her G-stock against the microphone standar and the rhythm. The fascism is destroyed and it comes to a

50:43state of mind. As soon as she comes, the police also takes her and the circumstances are fixed. But the protest does not let itself start. With the return of society, Mamatogni begins the free lesson. Another scene is with the role as a mother of fallen freedom camp, with the death of her son, who is in the fight against fascism. She has become the mother of society. She is deeply involved in the public at the end of the piece, and says, Bela Chau. The attack on religious minorities, so to speak. The movement of some nations documented a massive violence by the attack on the way to the U.S. Due to that, 1,700 people were killed and about 200,000 others were killed. The UN investigation commission speaks of possible war talks and sees the points for it. That is also against the humanity. Soke Labia. Then people in the way of the power of the

51:46organization and go to the streets to demonstrate. Last Saturday, the residents and protested in solidarity with the people in Soke Labia, who have been attacked by Islamist groups on Friday. Soke Labia is a Christian-born city in the province of Soke Labia. As a member of the attack, the Syrian government was sent to human rights, S.O.H.R., the several young people of men from the neighboring city, Kalat Al-Madiq, who were arrested. This attack was carried out by the attack from the city. The attacks were mobilized, the attacks to the population, and violence. The residents of the city organized the attacks to protest against the young people in the city. The attacks were carried out by the attack from the city, Kalat Al-Madiq, who were arrested.

53:01You might ask me for a reason. I plead the 5th instead of committing treason. We're a long way from the holidays. The big deal, make me feel like my life is okay. You got the invite but you never showed. And how many times can we let it go? We thought that you had a plan. This life's too long.

54:02Oh, just one minute. We're moving on from one day. It happens once. This is your life. We could laugh in the moment, but we're going on. And this is not okay. I hope you see it another way. And this is not all right. You have a son. You have a wife.

55:02And we knew you were a phony. It doesn't help. You never were feeling lonely. You had a life that's all alone. But so what? So what? You have a son. This is your life. It's all alone. It happens once. This is your life. Sing it one more time. It happens once. This is your life.

56:20It's in the corner of your eye. I'm going to ring a wave in chat. You can tell me to move out. This is all of my money spent. The year is such a big girl's whole world is an idiot. That year asked me what I'd do. And I thought that I'd never got the suit. Then you tell me so. This time she got gone out. Why not tell me so? I will tell you go out. And I'll make sure I party to a kind of place. In the morning, I can excuse this discovery new sense. You check a house and deliver the scenes away from me. So I ain't lost a fight for this kind of incident you must see.

57:22Then you tell me so. This time she got gone out. Why not tell me so? I will tell you go out. And I just don't look for any of the memories. I made it a dark night. The fun in your quality. I touch it all around between. I face things that don't matter where it is for you. I take a precious seriously.

58:22Are you up over there? And are you trying to catch something? I tell you what I want for me. I do want to close me. Then you tell me so. This time she got gone out. Why not tell me so? I will tell you go out. In the eye she'll always seek you. One step too far. Cause they don't listen.

59:23But we love this conversation. Spill it out in the air. That's tough. Please don't. She is always brushing over nothing. And they start to wonder why she did it. So insecure. Don't know what she's trying for. Only please correct your mind. With her attitude. She's always on a stage.