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Podcast Patapoe — 20260320-1400. Machine-transcribed; use the interactive transcript above to jump the player to any line.
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2:00Thank you. This is Antimontal E. Minimal II of Lieve Mertes from Album The Haboo. This year Lieve Mertes has also been one of the people who are working for the music industry for years. Yes, we are also working for the music industry for the music industry. This year I'm going to come up to the market. I would like to welcome you to the 28th and 29th August. We are going to organize a whole weekend.
3:00We are taking part in the development of the music industry. There will be a lot of workshops for children. We will be working for the music industry in the summer with all the energy. We will be working for the music industry in the summer. Of course, the creative work on the music industry is very important. This year the 20th August will be on Saturday. This year Lieve Mertes has been working for the music industry. The biggest business in the past has been a series of projects. We've been working with the French artists in Berlin and Buitenland with the members of the group. We've been working with Tomoko Saovaish on the line-up. We're working with the artists who are able to create a lot of water and ceramic and water-free water. Let's talk about an entire level of level in the universe.
4:04This is also an auditory visual aspect that comes back. We have Cristina Vanzudan, who actively works as a series. He has a lot to create from my sphere. Someone who makes perfect connections, like modern classical music and ambiance, is also a great tool for how you do it. Let's move on to the next one. Francesco Cavallieri has come from Italy. The man with the unrecognized skills has always been very beautiful. He has been in his life performances. He comes to a good place. He has to come from East Miner. But they are a mix of synthetic layers. Jazz, improv, jazz. How does it have to be called? It becomes a very beautiful evening. And for me personally,
5:06the man is still a bit. And then, surely, his experience, that we are very fond of in the world of avant-garde. And the last few years, he has been in touch with Denis Tiefis. He also comes to a good place. It has all been done. In the news, he has been in touch with the stars in the team of Cavallieri. But he also comes to a good place. With a new project for Stem and Piano. And next to it, we are looking further from Yamate. We are going to do a small exhibition around Christoph Piers and Photos. Someone from Honecker is going to sing for him. He is going to sing for him. And reading from here, he is going to sing a beautiful song. And he is going to sing. But he is going to sing for him. He is going to sing for him. But he is going to sing. And then, at the moment, the concerts, the concerts,
6:07he is going to sing for him. The whole day, the whole evening, he is starting to sing in a round. His people are very happy here. To how he is going to sing. We are going to see him. He is still very fond of Corona. To introduce ourselves. Yes. More or less. And tickets and info and stuff. To how he is going to sing, to how he is going to sing. That's all from Monday. Everything is possible. We really thank you for taking the time, for this interview. And I wish you all the best with Saraclanca and Sarisma. Thank you very much. Thank you very much.
7:22Thank you very much. Thank you very much.
8:22Thank you very much. Thank you very much.
9:22Thank you very much. Thank you very much.
10:22Thank you very much. Thank you very much.
11:22Thank you very much. Thank you very much.
13:22Yes. And we are going to continue with the new release in the 12-inch series of FATCAT. This is actually all the 24th on 25th of March. They are all 25 years old with FATCAT. And this is from the Canadian composer, Irin William Craig. It is a composition of about 20 minutes, something less. We are going to drive the last 10 minutes. Because it speaks of Irin William Craig. Thank you very much.
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