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Podcast Patapoe — 20260311-1000. Machine-transcribed; use the interactive transcript above to jump the player to any line.
0:00and the self-elected president of Russia. So we can't do anything of that on that level, but we can do a lot on our own level. CLASSICAL MUSIC From home I left the people with a little gold, and long a path, long a path,
1:02I went half-saving He's still right, but he's still leading all of the way. The forest is full of waves and the ground is full of waves and the ground is full of waves and the ground is full of waves and the ground is full of waves. And here we are, on our own, on the river. Your soul is in the dark forest. And it's worth it, it's worth it. And it's worth it, it's worth it. Many artists say that we should be more active politically. I think that politics, the very term politics, is redundant. I believe in personal values, kindness, love, such things as these,
2:07eventually, if they are universally acquired in the society as some norms of behavior, that's how you evolve into a different society. Not through a clash. What impacts does all of this have on your music, on your compositions? Everything somehow affects what we do. But you have to be sure that you're creating something more than just a manifestation of your political views or attitudes to some recent events. You have to create something that would be possible to play 20 years later. And where does classical music, modern classical music fit? Do you see it in today's music scene in Moscow? If you come to contemporary music or late 20th century music concerts in Vienna or in London, the audience, the average age of the audience, would be like people in their 50s and 60s.
3:11They seem to find it difficult to draw in the younger audience. The situation is really different here. Here, it's a hip-same. So we happen to be on the covers of magazines. We are the hip people like DJ or someone who belongs rather to pop culture. I know that you're asking your question from a completely different structural context. So you're saying modern contemporary classical music. We don't even call it that way. We're just saying contemporary music. You can have a composer Kulanski in the Bremot. Publish an IDM record. Intelligent dance music. Yes. And also an opera or a couple of operas. We have an audience that's ready to consume something without this system of genres, which I think is great. Alexander Manatskov, bringing this exploration of new Russian music to a close.
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