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0:00Music Music Music Music Music Music Music Music Music Music Music Music

1:12Music Music Music Music Song came and went like the times that we spent hiding out from the rain under the content Music Music Music Music

2:14Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music Music

3:14Music Music Listen to the magic wind, that's all I've dreamed in love Listen to the digital, and on my face I should touch the wall Running down by the lake show, she didn't know the sound of the summer storm Lay her late like a madman, now it's pushing her away once again We're from here Oh-oh-oh Got her Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh

4:16Oh, it's steaming here, oh watch the side will spin And I think about her when you hear that whistle blow I can't change my mind, oh, I knew all the time And she'd go, that's a choice I'm in gold Listen to the fiddler and lay Listen to the music on the way Oh, listen to the heart break Every time she runs away Oh, listen to the fad you'll win The sandstorm dripped in mud Listen to the tears run Now my face says she turns to gold As she turns to gold

5:18Listen to the music on the way Oh, listen to the music on the way Oh, listen to the tears run Now my face says she turns to gold Listen to the tears run Now my face says she turns to gold Oh, listen to the medley of rain

6:29For the future of the country and long time Radio Patapoe knows about every single picture Do you want to send your questions to Patapoe? For the total handicapped and there it is Do you want to try this too? Do you want to send Patapoe to the world and send a post order to me And do you want to send me all the money? Do you want to send your questions to Patapoe?

7:56Do you want to send your questions to Patapoe? For the total handicapped and there it is Do you want to send your questions to Patapoe? Don't you know I'm a fire, but you know I'm a fire Just an army day, just an army day Can't stop fading night, but you know I'm a fire

8:57But you know I'm a fire Just an army day, just an army day Can't stop fading night Can't stop fading night

10:45Don't you know it less than I feel in my light In the night and night and night I said fight to live You know when you can't say to save me Fight to live It's amazing timing is too low Don't you know it less than I feel in my light In the night and night I said fight to live It's amazing timing is too low It's amazing timing is too low It's amazing timing is too low It's amazing timing is too low It's amazing timing is too low

12:11It's amazing timing is too low It's amazing timing is too low

13:11It's amazing timing is too low It's amazing timing is too low It's amazing timing is too low Oh no! What evil lurks in the hearts of men? The shadow knows The shadow knows Once again your neighborhood blue cold dealer brings you the thrilling adventures of the shadow

14:14The hard and relentless fight of one man against the forces of evil These dramatizations are designed to demonstrate forcefully to hold and young alike That crime does not pay Friends it's as easy For spring delivery of blue cold America's finest high cold And ask him about easy budget terms The shadow who aids the forces of law and order is in reality Lamont Cranston Well the young man about town Years ago in the Orient Cranston learned a strange and mysterious secret The hypnotic power to cloud men's minds or they cannot see him Cranston's friend and companion the bubbly Margo Lane Is the only person who knows to whom the voice of the invisible shadow belongs Today's drama

15:14The Giant of Madras At 915 of a stormy spring evening Lamont and Margo were sitting in the lounge car of a deluxe trans cotonatal train Lamont can you imagine what these vast planes were like a hundred years ago? Yeah, vast Now but think of all the troubles the people in those days had And the adventures, boarding streams, fighting Indians, heard the buffalo Quite alive And today you're just getting a train and whisk across them safe as a bug in a run I think a bug was equally as safe and a covered wagon There's been quite an improvement as far as human beings are concerned But you really prefer all this civilization? Hmm, it's restful But just a little dull don't you think? Perhaps

16:14But I wouldn't be able to think at all with a Sue's Tomahawk buried in my skull No, I guess that would be a disadvantage Maybe I'm just sleeping Oh conductor Yes sir Do you have the poor to make up our births please? Lower 10 and lower 11 and car 15 Certainly sir And when do you want to be caught? Well see we'll be coming to our station at 155 Better call us at 130 Hey where's our hotel? Oh better call us at 1 now I'll need time to get ready Of course All right conductor call us at 1 Time and the mile slipped by And it was a little after 12 when The train blew for a water stop three miles ahead Now this was usually a very deserted locality, this water stop

17:14However tonight it wasn't so deserted In fact if you counted the men They were all half dozen of them You hear that? She's coming But you're served I'm timed Everybody know what they're supposed to do? Hecky Spider Yeah partner Cardi Jackson Yeah Okay No slips now and no knows Uniform set Dr. Spaman, Portis Do the flums all set Okay You're not a man you're gonna pick when you get a board Find them, take care And start looking She's gonna be a little tough finding it, gentlemen Yeah, how are we gonna locate it? They won't be wearing it on its part Once we take over that'll work itself out Here she comes Right in a button Anybody getting yellow there's a time to back out All right Keep your finger in your trigger and your safety catch off Nobody sells anyone else shot We're a cinch for a million bucks You hear me? A million bucks We hear you again

18:14Okay then Move in Move in C'mon C'mon Huh? Who's that? C'mon please wake up ica, what are you doing up? doing. What time is this? I don't know. Wait a minute. I look at my watch. There's 12 minutes after 10. After 10? Of course not. Your watch is stopped. Oh yeah, so it has. It looks awfully much like it's getting to be morning. Morning. That's impossible. I told the conductor to tell the porter to wake us at 1 a.m. There's no possibility for God to tell the porter. Oh ye gods. I hope not. We could have and we could already be hundreds of miles past our station. Wait a minute. I'll ring for the conductor. I'll help you much. Why not? He doesn't come. I've been ringing for the last half hour.

19:16Well, he's probably snoozing the lounge car. I'll go see. Oh, there's nobody in here apparently. Appearances are often deceiving by young friends. I never see you sitting there in the shadows. There are times in life when the value of being conspicuousness cannot be overrated. Oh yeah, sure. I'm looking for the conductor. Of course you are. Several passengers have passed through here in search of that same gentleman in blue. Have you seen him? Not a sign of him. The fact is my young friend. I feel we are all in for a bit of a blow. Yes? Yes. Tell me, are you an honest man? Well, I, um, I feel it's the brace of candy bars at my ninth birthday. Spotless record. The most interesting. What's even more interesting is that we're about to that conductor. He was supposed to wake us at one o'clock.

20:16Then I feel he has failed you, utterly. What do you mean? The night has grown much older than one o'clock. My watch has stopped. On the other hand, mine has not. There. It has chimed the quarter of the hour. Well, let's see. Quarter of... Oh, no. But, yes. Well, quite incredible. Not incredible, my young friend. Human events proceed with irresistible logic. Some steal while others pray. So runs the world away. A quarter of five. We must be halfway across the continent. Better than half. Oh, where is the conductor? Where is he? If that is what many would like to know. You'll all find out. The best of luck, my young friend. conductor... conductor! Who's that? You wake everybody up, sir. You were calling me... That's where you turn up from. Oh, I just come through the large car right behind you, sir. What can I do for you?

21:16My name is Lamont Cranston. Are you the man I told to call us at one o'clock? No, but I relieved that for a little after midnight. They didn't tell you about our call? Sure, sure. I was going to call you, sir. When? When we got to Malibu Beach? Sure. One o'clock. One o'clock. I got 15 minutes yet. It's only 12.45. Look, friend, it's getting to be morning. Oh, you mean because of the way the sky looks? That's not morning, Mr. Cranston. That's light from some industrial plants just over the horizon. Look, it happens. I know what time it is. The ball headed gentleman with a monocle. Sitting in the lounge car showed me his watch. It's quarter of five. What's that about a ball headed gentleman in the lounge car? Sitting in the shadows by the bar, didn't you see him? It's funny, yeah. No, I didn't. Well, you must not have looked. He's there. I'm used to keeping my eyes open, Mr. Cranston. Yes, me. That lounge car is empty. I just talked to the gentleman. Are you by any chance suggesting I'm out of my mind? One of us is. Shall we go see which, Mr. Cranston? All right, here we are.

22:17What'd you say he was sitting? Right here, beside... I told you, there was nobody here. He was here. He probably left the car at the other end. The passenger couldn't leave this car at the other end. Next to head is a baggage car, and that door ain't left open. Now, if I was you, I'd get myself a little more sleep, Mr. Cranston. Fuck me, miss. Not what's going on. I was here sitting right here. Where could he have gone? What are you talking about? I just had a somewhat peculiar experience, Mark. There was a little man sitting here, not ten minutes ago. He showed me his watch. I remember it rang the quarter of the hour. It's one of those old-fashioned ones at Chine. So? Now he's disappeared. Well, before we go any further with the fairy story, did you find out what time it is? The conductor says it's not one o'clock here, but by the stranger's watch, it would now be just about five o'clock. What's that? What's that? It's him that's his watch chiming. Well, where is he under the seat? No, he isn't. His watch is...

23:17Look, this is it. This is the watch he showed me. The crystals all smashed. The hour-hands broke it off. It must have fallen. It's well like somebody gave it the business with a sledgehammer. You dare? You dare? You dare, are you here? I beg your pardon, young people. I'm looking for my husband. Have you seen him, perhaps? Probably. A small gentleman with no hair, wearing a monocle. Yes, what have you done with him? I wait a minute. The question is, what has he done to me? What do you mean? Well, he vanished practically in front of my eyes. Yes, he was sitting right here by the bar. I stepped outside for a few minutes. When I came... What's that? It's coming from inside this liquor closet. He did him. He did him. When we get the room? Are you all right in there? This door is stuck. How am I? How am I right? Oh, he's hurt. You said... Who did this? Giant. Giant of my best. What happened to it? This young man here.

24:18He took it? No. No. No, my young friend did not take it. He did not take it. Old man. You said quick years falling. What? You said... You said, speak to me. The diamond, you said, speak to me. He's spoken about as much as could be expected. Considering the fact there's a knife between his shoulder blades. He's there. Oh, Le Mans. He would not want to mourn him. It is the giant we must think of. The giant of Madras. There's a giant in this, too? Not giant man. Giant jewel. Diamond pure white. That circular cut. Twenty-five carrot. Twenty-five carrot. You said purchasing agent to his holy majesty, Mahatma Maharaja Cutport. And he has this diamond on him? Yes, on his person. Even I did not know how he was carrying it.

25:18Perhaps in his shoe. Perhaps a money belt. Perhaps in the back of his watch. Yes, perhaps. Let me see it. I'll take that watch. What? My friend, the conductor. The one-of-clock scholar. Come on, he's got a gun. Let's have the timepiece, Cranston. I'm not trying to pretend it's yours. He intended nothing. I got a gun in this hand. I want that watch in the other. I'm sorry. We have a special use for this particular timepiece. And over to watch, Cranston, and hand it over fast. You'll never know what time it is. The Margo and Lamont. On a deluxe transcontinental train, discover the body of an East Indian gentleman, locked in the lounge car liquor cabinet. The fabulous diamond called the Giant of Madras,

26:19which he was carrying with him has disappeared. Cranston, the East Indian's wife and Margo, All about to examine the dead man's huge old-fashioned watch with a diamond, when... I'll take that watch, Grant. Well, if it isn't my friend, the conjecture. Body's got a gun. And over to watch, Grantson. And over fast, the old never know what time it is. Your back man is to turn your back on an old lady. However, the old lady has a gun at your spine. And suggests you keep your back turned. What really, him of the fire, Mr. Grantson? Right. Now then, we will perhaps store him in the closet for safekeeping. Until we have a better idea of what is going on on this train, no? It's a good idea. Come on. I'm in a minute. Step lively, Mr. Conductor. There's plenty of room inside. What's he doing? We're doing the sleep now. Maybe he has friends aboard. And put us up to the entrance. Good work, young friend. Out. There we are. He's certainly wanted you, self-swarch.

27:20Yes. I see probably agreed with my deduction. The giant of mattress may be inside it. Very likely. Why don't we look and see? Quite a moment. Well, it is not here. Well, then where in the world can it be? I don't know. But whoever killed him wouldn't have left it in his pockets. That one I'm trained has the diamond. Come on, look. Huh? A station just flashed by. What station? Galensville. And there's no Galensville. Can I talk as that? I was looking at the rail map reading myself to sleep. There is no Galensville on this route. I never had a dull moment. I'd appreciate a few just now. Well, as far as I can. Listen. Someone knocked it. It's from the car of a head, the baggage car. What is wrong? It's a question I can sue an answer. Stay behind with Aldermargo. I'll do nothing in the kind I'm going with you. But don't argue. Okay, you win. We'll leave you in charge, Aula. Good luck. Go with you, young friend. Someone's locked in the baggage car. I can just snap this catch. There.

28:20I just go stand away sweetheart. The storm warnings are up. Who are you? You're not one of them. Are you? Are you? Look, the modesty conduct here. Your passengers, aren't you? What else could we be? Murderous bandits, have no windows. Who are you talking about? There are six of them. That by some man they called Galen. But after a 25-carat diamond. Where are they? Everywhere. They've taken over. They've stopped the train about midnight. Put me in the rest of the crew out of the way and are running the train themselves. The murdered little man, the conductor with a gun in his hand. Yes, everything's as clear as a well-praised death warrant. What are we going to do? First we can do is to pray we reach Los Angeles alive. Not at all sure even going there. What do you mean? This pasta station is not on the Los Angeles I-Tinerary. What? What station? Galensville, no. What's the matter? They've made a mistake. They've taken the north square at the junction. The Galensville route doesn't connect with the main clutch for another 50 miles. Oh, so what? There's a bridge on this route over Belvedec Canyon. The bridge collapsed at 11 o'clock last night. We just got the flash five minutes before they took the train over. Oh, no. And Belvedec Canyon is a drop of 2,000 feet.

29:22The mom. Easy, darling. I thought I had his bridge. It's only 20 miles in Galensville. Oh, look, we have to stop this train. We've got a fat chance. There are five armed men against. Five? Sure. For a half it doesn't begin with and one of them got knocked off in the scuffle. And I just locked one of our little playmates in the liquor closet in the lounge car. Where are they now? The remaining four. Probably up ahead in the engine. Well, the mom living could talk to the reason with them. Explain to them that we're all going down together at the bottom of Belvedec Canyon. They're too slick to believe the truth. They think it was some kind of a gag. What do you suggest? Gosh, I don't know. But I think the easiest way would be if Galen and his boys found what they were looking for. They got hold of the diamond. We could make a deal with them and stop in the stretch of fine woods just this side of Belvedec Bridge. But we don't know where the diamond is. Are you sure? What? Are you sure you don't know where the diamond is? Of course we are. Speak for yourself, darling. What do you mean? I mean, I'm not so sure we don't know where the diamond is. Is the door open going into the next car?

30:23Yes. Okay, see you later. Hey, what are you going to do? I'm going to try to make a deal with those boys in the locomotive. Stay here, Malcolm. Not in your life. I'm going wherever you go. Okay. Coming along, mister. No, I'll risk it back here. I never developed a taste for hot blood. This is you, please. If we crash at Belvedec Bridge, you'll know the deal fell through. Come on, look. The door at the end of the car is open. You see traces of the controls in the locomotive. Quick, get over into the shop. This must be the diamond, boys. Funny? Huh? What is it? I only see three of them. Three will be plenty. I wonder. What? Remember the man we locked in the liquor closet? Yes. Remember that whistle? Yes, what about it? I think it might prove no end valuable in this particular emergency. Anyhow, it's worth a try. Come on, come here. That's what I want if I do. Maybe they'll come back to investigate.

31:36Look, Vermont. Well, it's coming. First candidate for a fracture jaw. Keep in the shadows. Hey, hey, hey, where are you? It's me, Radna. Hey, hey, hey, where are you? Hey, hey, why don't you answer me? What if it's not, hey, hey? I'm sorry. Someone less who'd learn to worry about? What happened now? A rebroadcast for our next playmate. Here comes the second candidate. Nikki, Nikki, what's happening? Radna, are you there? Answer me, somebody's spider sent me to scourity. Glad to meet you, Mr. Garrity. Are you not, Nikki? You bet I'm not, you fool. Too up for our side? Now what? The next feature is an interview with a gentleman named Spider who seems to be in charge of operations. Come on.

32:38Hello, Spider. Who is that, Radna? No. Garrity? No. Who is it? My name is Lamont Cremst. What is it? There's a bridge a few miles ahead of a Belvedere Canyon Spider. There's enough rails missing and let us drop 2,000 feet. I think it better start slowing down. What are you giving me? The truth, put on those brakes. Look, Mr. We're aboard to lay hands on a certain piece of merchandise that's all we got in a mine just at the moment. That piece of merchandise wouldn't be the giant of Madras, would it? Well, you're wise. Suppose I was to tell you how to lay our hands on the merchandise in question, Spider. You mean you know where the diamond is? Could be. Slow down and we'll talk. We've heard it talk now, Mr. Cranston. Come on, it's our conductor from the baggage car. Yes, I'm not mistaken. The Mr. Gellon we've been hearing so much about. Where's the diamond, Cranston? It better talk fast, it's not much time. I've changed my mind. I've forgotten where the diamond is. Come on. The canyon is less than a quarter mile away just around the bend. It's maybe about to tell him about it.

33:38No. It's not just our lives, they're 80 passengers before us. See, ladies, right, we're running the cab. What were in that stretch of pinewoods he told us about? There's a tunnel spread ahead. But it's all Cranston. I told you now. If you want me to stop for Cranston, tell me now. A number of 50 years, you'll be too late to change your mind. Come on, Cranston, crack. No. The matter's the time. Where's the diamond, Madras? I'll get it. Okay, Spider. There I go. Where? I threw the tunnel. We didn't fall. The tracks went out. You made that up to trick Lemon into telling you where the diamond was. I won't slicker me anymore. I'll use a gun instead. Come on, Cranston, where's it? Hey, where is it? He was standing right there. What's that? Where's that coming from? Right here. Where's it? Where's it? Where's it? Where's it? Where's it? Where's it? Where's it? Right here, besides the control. But there's nobody there.

34:39There's someone here, Galen. The shadow is here. Here to see that this little adventure ends in proper justice. Stop the train, Spider. Let's get all this. Wait. I can't stop it. Something is holding my hand. I can't move. Papadilla here. You can't, Galen. I'm holding him. This train goes down to the main line junction and the next police station. Yeah. That's a game-truke-and-flake. Come here. Shadow help. That's right, Spider. This thing was over the side. This time it's no trick. I'll give you the count of three. One, two, three. Shadow! So... You at the control. It's where you are. What is? What happened? I'm sorry to have waited until the last minute. But I am an old woman. And I have never killed before in my whole life. Oh, don't apologize. I'll never be able to thank you enough. You do not have to thank me. You will have to find the giants of Madras. You will not have to look for it, Aram.

35:40What? What? What is this? The giant of Madras is not lost. Your husband was a good and quick judge of human nature. Any emergency knowing that the train had been taken over by thieves with the express purpose of stealing the diamond. He entrusted it to Mr. Cranston's care by the simple expedient of dropping it into his pocket. Here is the cure. Look. Look, the giant of Madras. It is coming towards you suspended in the air. No one is holding it. Look. Yes, someone is holding it. I am holding it, Aram. I am returning it to you. You... Who are you? I am the shadow. I am the shadow.

36:56Well, Margo, it's been quite a night. I'll say it has. I'm so tired I can really die. No, I really mustn't complain. We're lucky to be alive if you ask me. Very lucky. Well, what are you thinking about, darling? The scenery outside. The vast plains going by. What about it? I was just thinking about the pioneers. What an easy time they really had. No streamlined trains. No giant of Madras. No, Mr. Ganlon. All they did was to travel around and comfortable covered wagons with nothing to be afraid of, but wild buffaloes and Indians.

37:57This story is copyrighted by Sweet and Smith Publications Inc. The character's name is Places and Flots, or fictitious. Any similarity to person's living or dead is purely coincidental. Again, next week, the shadow of Madras. The shadow of Madras. The shadow of Madras. The shadow of Madras. The shadow of Madras. The shadow of Madras. The shadow of Madras. Well, we'll demonstrate that. So we'd have climbed. There's bitter fruit. Crimes does not pay. The shadow knows.

38:57The shadow of Madras. The shadow of Madras. What's the beer? The wine. The whole of Madras. The whole of Madras. Yes, hello. I'm sorry, I have to go through all the things. I'm sorry, I have to go through the door. I'm sorry, I have to go through the door. I'm sorry, I have to go through the door. I'm sorry, I have to go through the door. We made it all up here. It was beautiful. It was a little bit more. You also heard the bellies. The bellies of August. Yes. I don't know if I'm in August or not. It's nice that you're here. It was last year. You were also here.

39:59You're a sort of fan of Taylor Bird. Yes, you've been on TV for a long time. I've been on TV for nine years. I've been on TV for nine years. It's a very nice audience. Yes, yes. From the big hammer and the skewer machine. Yes, yes. Then they played there. Wow, that also had to be a magical experience. Yes, yes. And they were there. They were fans of each other. Yes. Yes, I've been playing for a long time. I've been playing for a magical experience. It's our full favorite one-woman string orchestra. Yes. Especially the new violinist. Yes. It was a very cello orchestra. Yes, it was very powerful. I hope that you'll be able to play it for a long time.

41:02But how was it with you, August? Yes. I'm glad to see you again. Yes, it was a feast. We had two octaves. Two octaves. Sorry. In my room. I read the longest cards. Oh! Well, we had a documentary there. Ah, on the cell was it. Yes, yes. Yes, yes, yes, yes, yes, yes, yes. A script for the script. Yes, yes, yes, yes. What was that for? That it was... We had a documentary in... in KL. Oh! Holy Quran. Holy Quran. Holy Quran. Yes, yes, yes. It was just open. Yes. It was a fantastic tent. Yes. And... Well, we got the script. We were going there with Tene. Oh, okay. With the cello. You know what I'm saying? Yes, yes, yes. I heard that it's a new place for me. But it's always going to be there. But it's just... It's sort of a river. On a very new or even manner.

42:03No, no. A new owner. Okay. But you're the one who gave this new and longer. Yes. Yes, what I heard. It's like... Yes, it's going to be a nice place for me to go. It's sort of... It's like... It stays on the beach for two years. Yes, yes. You have to walk around in the evening. But it's been a year already. Yes. But you just walked around the cello. No, no, no. No, no, no. No, no, no. Yes, a little bit, a little bit. I have to be Christian. I have to be Christian. Because I have to be North. Oh, yeah. Oh, yeah. What a nice place. Very overwhelming. It's like... The other bridge is very quiet. It's a very nice place, isn't it? Yes. Yes, and then in the evening, he made that oerlogic script with that script of the film, that it's a bit quiet.

43:04Yes, and that beach is a very interesting place. Yes. We were with a demonstration in the Fondlepark. It was from me, Carmen Duinmeier. It was in 1983. Yes. Dosed by a neo-Nazi. That was another thinking. It was in the Fondlepark. And then we came to Australia. And that was... Did you see that? No idea. We didn't see anything. But it was in the Fondlepark. It was huge. It was really intimidating. You thought it was going to happen? No. It had to be done with coding. Oh, yes. But good. But good. You also have a good self experience. You have a lot of people. You have to do it. Yes, you can do it. That's a lot of fun. Yes. So you've heard about your heritage. Yes, but what about your heritage? Yes. That's a surprise.

44:08I was in 2000, 2000. For the first time in Brazil. We just came from Iceland. Oh. And then... I had a forester who gave me a mouse. Then I went with my brother. Yes. And then... I came up to buy a body. That's what we said. We went up to buy a body. Okay. And they were like... Really? Yes. 15 years later. 2015. And then it was raining. Yes. And now that doesn't matter anymore. Yes. But then I came back to a trip from... ...Rain 10 years back to Amsterdam. Yes. Actually, it was the most original ship of sail. Yes, yes, yes. Ambassudeur and Tejater ship. Yes. That's more than 10 years long... ...the run of peace. Yes. That's what we said. Yes. I came back. 15 years later. Well, every ship or plane that you drive... ...must drive... ...must not drive.

45:08No. That's for me. Hello. Hello. Hello. Hello. Yes. Yes, yes. It's a special development. Yes, like... Yes. With everything... ...Rain, that's just a few miles away from the rails. It's just being pumped all over. It's just a big thing. That has exploded. Yes. Yes, it's a nice ship. A nice one. But... ...I'm sure you're right. I've got it. From... ...and now we're all on the ground with that ship. And it says... ...you're right. And it says the captain. I can see it. Yes. Yes, it's true. And the problem is... And do you have any big plans? Do you want to go to the World War?

46:09I don't know. Maybe this time I'll go through the war. Oh, what's your name? Oh, you've been waiting for the war. You've been waiting for the war. Oh, yes. And you're going to be here? Yes. That's good. Do you have a lot of contact with the people there? Yes, they do it very well. Yes. I see on Facebook what they're talking about. Yes. They're trying to support the war. They do a lot of things. They really do workshops. They're children. They find their refugees. They work with the... The women's forces together to... To make the techniques... To just train them to defend themselves. To... To make them souvenirs for tourists.

47:09They have a... They have a... They have a... A year ago... ...to the Netherlands. They're doing it for a long time. They had the ship. Yes. And of course, they're also... ...in the weekend. Is it... Is it built on the ship? Yes. If it's a museum. With my bedroom, my bedroom. It's still exactly as if I just left it behind. I've had a few sisters. So you just have to be at home. Like a time machine. Yes. It's also a cafeteria. Yes. They have... A cocktail. Okay. And they're in Geneva. Vodka. Curaçao. Of course, flowers are in the flowers. Citroe.

48:10And they get better. Wow. Oh, that's a nice mix. And they're 7 dollars. They're worth the price. Yes, yes, yes. But they're... ...they're... ...in the future. They earn a lot of money with the rich people of Manta. Yes. You have to give the rich people a chance to give them... ...to let them pay for their money. Right? That's something we need. They have to pay the project. So they do it with their money. I want to say to Amsterdam... ...that one of the most expensive... ...that they're in July... ...if you use Coca-Cola. Because... ...the wealth in that country... ...is one of the biggest problems they have.

49:12The tourist department... ...with the local tourist department... ...is... ...but... ...it's certain where they are on the beach. That's the front line. With the head of the village of Amafia. On the other hand... ...they think about it. Yes. Yes. And when I was... ...at the beginning of the day, ...I was in a nice cafe. When I saw what they were doing with people... ...they said that... ...they were very aggressive. They were very busy. They were looking for a place. Oh, yes. I'm not going to go to the cafe. I'm not going to go to the cafe. Yes. Everything is going to be great. It's going to be great. Well... ...it's going to be nice to go to the cafe.

50:13Is there anything else you want to know? I'm going to go to the Sele bar. Sele bar? Yes. That's in the name. Oh, shit. That's a very special bar. It's in the heart of the village. No, no, no. That is the 8th of the Wilhelmina. The 8th Package Wilhelmina on the Osspanderskaden. The 8th... ...is a small table. Okay. And there is another... ...a doorbell in the Sele bar. Sele bar, no. I hope it's in the heart of the village. Oh, thank you. It's sort of... Oh, look, here is a sort of flyer. It's sort of... ...illigable... ...to be able to hang out. Since then, I've been looking forward to it.

51:13Meek, Amsterdam, Groesle, Ken, Maga. Thank you. This? Yes. Can I give you a message? Yes. I'm going to the spa now. I'm going to the spa now. There is a? I'm going to the spa now. Okay, I'm going to the spa. I'm going to the spa now. You have more. No, no. You have more. I can't take it anymore. Okay, then. Thank you. Yes, that's a pretty nice thing. A couple days from now. I saw her.

54:27I didn't see her. I didn't see her. I didn't see her. I didn't see her. I didn't see her. Yeah, I didn't see her. Yes. Let's go. Let's go. I'm going to the spa now. Okay. Okay. I'll take it now. Okay, there you go.