
About this episode
In Feedback this week, you ask: where are all the right-wing comedians? Left-wing comic Jeremy Hardy returned to airwaves last week with his series of lectures 'Jeremy Hardy Speaks to the Nation'. Never one to be shy about his political views, Jeremy had many of you laughing but others felt the joke just wasn't funny anymore and called for balance on the network. Roger puts your points to Caroline Raphael, commissioning editor for Radio 4 Comedy, and asks her whether she is actively looking for right-wing comics.
And what's it like to report for the Today programme for the first time? Last week, Sally Marlow, an academic researcher from King's College London, had her first report on Today. Sally was one of 30 'expert women' who took part in a BBC Academy Training Day in January, which sought to encourage more women experts for TV and radio in areas such as science, engineering, business and politics. We asked Sally and her Today producer to fill us in on the process and find out whether the training day helped.
Also, how much attention do you pay to sound effects in dramas? We hear from listeners who think they've spotted mistakes and programme makers discuss the role of realism in drama.
And listeners applaud Libby Purves, who narrated the Afternoon Drama The Silence at the Song's End, based on the writing of her son Nicholas Heiney,
Producer: Kate Taylor A Whistledown production for BBC Radio 4.
Get every episode summarized
Each time Feedback publishes, we email you a written briefing from the transcript — the topics, who appeared, and any specific claims, with the ad reads skipped.
Email me new episodesFree for 3 shows. No card needed.
Hosts & guests
No transcript yet
This episode has not been transcribed. Request it and it moves to the front of the queue.
More episodes
More from Feedback

Dead Rabbit, Colin Sell, and Farming Today.
Feedback

BBC Proms, Quiz Pilots and Interview of the Year
Feedback

Radio 4's Pilot Quizzes, and Radio 1 Schedule Changes
Feedback

Common Ground, Dead Ringers, and You're Dead To Me
Feedback